Selections From Oprah’s Book Club

Thursday, March 11, 2010 :: 3:50pm PST

Selections
From
Oprah’s Book Club
Main Menu

Oprah in TV & Movies

Site Map
(Sorted By Year)

A Fine Balance
   By Rohinton Mistry

A Lesson Before Dying
   By Ernest J. Gaines

A Map of the World
   By Jane Hamilton

A Million Little Pieces
   By James Frey

A Virtuous Woman
   By Kaye Gibbons

Anna Karenina
   By Leo Tolstoy

As I Lay Dying
   By William Faulkner

Back Roads
   By Tawni O’Dell

Black and Blue
   By Anna Quindlen

Breath, Eyes, Memory
   By Edwidge Danticat

Cane River
   By Lalita Tademy

Cry, the Beloved Country
   By Alan Paton

Daughter of Fortune
   By Isabel Allende

Drowning Ruth
   By Christina Schwarz

East of Eden
   By John Steinbeck

Ellen Foster
   By Kaye Gibbons

Fall on Your Knees
   By Ann-Marie MacDonald

Gap Creek: The Story Of A Marriage
   By Robert Morgan

Here on Earth
   By Alice Hoffman

House of Sand and Fog
   By Andre Dubus III

I Know This Much Is True
   By Wally Lamb

Icy Sparks
   By Gwyn Hyman Rubio

Jewel
   By Bret Lott

Light in August
   By William Faulkner

Midwives
   By Chris Bohjalian

Mother of Pearl
   By Melinda Haynes

Night
   By Elie Wiesel

One Hundred Years of Solitude
   By Gabriel Garcia Marquez

Open House
   By Elizabeth Berg

Paradise
   By Toni Morrison

River, Cross My Heart
   By Breena Clarke

She’s Come Undone
   By Wally Lamb

Song of Solomon
   By Toni Morrison

Songs In Ordinary Time
   By Mary McGarry Morris

Sula
   By Toni Morrison

Stolen Lives: Twenty Years in a Desert Jail
   By Malika Oufkir

Stones from the River
   By Ursula Hegi

Tara Road
   By Maeve Binchy

The Best Way to Play
   By Bill Cosby

The Bluest Eye
   By Toni Morrison

The Book of Ruth
   By Jane Hamilton

The Corrections
   By Jonathan Franzen

The Deep End of the Ocean
   By Jacquelyn Mitchard

The Good Earth
   By Pearl S. Buck

The Heart Is a Lonely Hunter
   By Carson McCullers

The Heart of a Woman
   By Maya Angelou

The Known World
   By Edward P. Jones

The Meanest Thing to Say
   By Bill Cosby

The Pilot’s Wife
   By Anita Shreve

The Poisonwood Bible
   By Barbara Kingsolver

The Rapture of Canaan
   By Sheri Reynolds

The Reader
   By Bernhard Schlink

The Sound and the Fury
   By William Faulkner

The Treasure Hunt
   By Bill Cosby

Vinegar Hill
   By A. Manette Ansay

We Were the Mulvaneys
   By Joyce Carol Oates

What Looks Like Crazy on an Ordinary Day
   By Pearl Cleage

Where the Heart Is
   By Billie Letts

While I Was Gone
   By Sue Miller

White Oleander
   By Janet Fitch

River, Cross My Heart

By Breena Clarke

Oprah Winfrey’s Book Club Selection: 1999
Breena Clarke's first novel takes place in Georgetown in 1925, where a large and close-knit African American community took shape beneath the shadow of segregation. At the center of the story is baby Clara, who is swallowed by the Potomac as her sister, Johnnie Mae, cools off in the brackish water. It's the only place the girls can find relief--they're banned from the new, clean swimming pool the white kids use.

After Clara drowns, the river is never the same, and Johnnie Mae hovers on the edge of womanhood wondering if she'll be able to get past her guilt and emptiness. In an eloquent passage, Clarke writes, "Losing a loved one, a family member, is like losing a tooth. After a while, those teeth remaining shift and lean and spread out to split the distance between themselves and the other teeth still left, trying to close up spaces."

Bits of wisdom like this are the book's charm. Most remarkable are the church scenes, which Clarke renders almost purely in the give-and-take of voices: the booming preacher's sermon ("The people we love, we only borrowing them"), and the congregation's "Praise Jesus, Amen" exclamations. The author based her novel on stories passed down in Georgetown--tales of that area's first black churches, founded when people decided they wanted their own place of worship, and implicitly their own God. In church the novel takes flight. Elsewhere River, Cross My Heart suffers from clumsy, purple prose, and a plot that moves forward in labored fits and starts. Clarke painstakingly tries to re-create this past world, but sometimes it seems her duty to history is holding her back, bogging her down in period-piece details. In the effortless church scenes, history loses its gravity and is absorbed by grace.
All brands and product names are trademarked or registered trademarks of their respective companies.
Copyright of syndicated content belongs to it’s respective author or news organization.
This site is not affiliated in any way with Oprah Winfrey or Harpo Productions.
Original content is Copyright © 2007 • Selections From Oprah’s Book Club • All rights reserved.