Selections From Oprah’s Book Club

Wednesday, August 20, 2008 :: 6:46am PDT

Selections
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Oprah’s Book Club
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A Fine Balance
   By Rohinton Mistry

A Lesson Before Dying
   By Ernest J. Gaines

A Map of the World
   By Jane Hamilton

A Million Little Pieces
   By James Frey

A Virtuous Woman
   By Kaye Gibbons

Anna Karenina
   By Leo Tolstoy

As I Lay Dying
   By William Faulkner

Back Roads
   By Tawni O’Dell

Black and Blue
   By Anna Quindlen

Breath, Eyes, Memory
   By Edwidge Danticat

Cane River
   By Lalita Tademy

Cry, the Beloved Country
   By Alan Paton

Daughter of Fortune
   By Isabel Allende

Drowning Ruth
   By Christina Schwarz

East of Eden
   By John Steinbeck

Ellen Foster
   By Kaye Gibbons

Fall on Your Knees
   By Ann-Marie MacDonald

Gap Creek: The Story Of A Marriage
   By Robert Morgan

Here on Earth
   By Alice Hoffman

House of Sand and Fog
   By Andre Dubus III

I Know This Much Is True
   By Wally Lamb

Icy Sparks
   By Gwyn Hyman Rubio

Jewel
   By Bret Lott

Light in August
   By William Faulkner

Midwives
   By Chris Bohjalian

Mother of Pearl
   By Melinda Haynes

Night
   By Elie Wiesel

One Hundred Years of Solitude
   By Gabriel Garcia Marquez

Open House
   By Elizabeth Berg

Paradise
   By Toni Morrison

River, Cross My Heart
   By Breena Clarke

She’s Come Undone
   By Wally Lamb

Song of Solomon
   By Toni Morrison

Songs In Ordinary Time
   By Mary McGarry Morris

Sula
   By Toni Morrison

Stolen Lives: Twenty Years in a Desert Jail
   By Malika Oufkir

Stones from the River
   By Ursula Hegi

Tara Road
   By Maeve Binchy

The Best Way to Play
   By Bill Cosby

The Bluest Eye
   By Toni Morrison

The Book of Ruth
   By Jane Hamilton

The Corrections
   By Jonathan Franzen

The Deep End of the Ocean
   By Jacquelyn Mitchard

The Good Earth
   By Pearl S. Buck

The Heart Is a Lonely Hunter
   By Carson McCullers

The Heart of a Woman
   By Maya Angelou

The Known World
   By Edward P. Jones

The Meanest Thing to Say
   By Bill Cosby

The Pilot’s Wife
   By Anita Shreve

The Poisonwood Bible
   By Barbara Kingsolver

The Rapture of Canaan
   By Sheri Reynolds

The Reader
   By Bernhard Schlink

The Sound and the Fury
   By William Faulkner

The Treasure Hunt
   By Bill Cosby

Vinegar Hill
   By A. Manette Ansay

We Were the Mulvaneys
   By Joyce Carol Oates

What Looks Like Crazy on an Ordinary Day
   By Pearl Cleage

Where the Heart Is
   By Billie Letts

While I Was Gone
   By Sue Miller

White Oleander
   By Janet Fitch

Gap Creek: The Story Of A Marriage

By Robert Morgan

Oprah Winfrey’s Book Club Selection: 2000
Robert Morgan's Gap Creek opens with one wrenching death and ends with another. In between, this novel of turn-of-the-century Appalachian life works in fire, flood, swindlers, sickness, and starvation--a truly biblical assortment of plagues, all visited on the sturdy shoulders of 17-year-old Julie Harmon. "Human life don't mean a thing in this world," she concludes. And who could blame her? "People could be born and they could suffer, and they could die, and it didn't mean a thing.... The world was exactly like it had been and would always be, going on about its business." For Julie, that business is hard physical labor. Fortunately, she's fully capable of working "like a man"--splitting and hauling wood, butchering hogs, rendering lard, planting crops, and taking care of the stock. Even when Julie meets and marries handsome young Hank Richards, there's no happily-ever-after in store. Nothing comes easy in Julie Harmon's world, and their first year together is no exception.

Throughout the novel, Morgan chronicles Julie's trials in prose of great dignity and clarity, capturing the rhythms of North Carolina speech by using only the subtlest of inflections. Clearly the author has done his research too--the descriptions of physical labor practically leap off the page. (Suffice to say, you'll learn far more about hog slaughtering than you ever dreamed of knowing.) Yet he resists the temptation to make his long-suffering characters into saints. Julie simmers with resentment at being her family's workhorse, and Hank flies into a helpless rage whenever he feels that his authority is questioned. In novels like The Truest Pleasure and The Hinterlands, Morgan proved his ability to create memorable heroines. In Gap Creek, he writes with great feeling--but not a touch of sentimentality--about a life Julie aptly calls "both simple and hard."
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