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By Isabel Allende
Oprah Winfrey’s Book Club Selection: 2000
Until Isabel Allende burst onto the scene with her 1985 debut, The House of the Spirits, Latin American fiction was, for
the most part, a boys' club comprising such heavy hitters as Gabriel García Márquez, Jorge Luis Borges, and Mario Vargas
Llosa. But the Chilean Allende shouldered her way in with her magical realist multi-generational tale of the Trueba family,
followed it up with four more novels and a spate of nonfiction, and has remained in a place of honor ever since. Her sixth
work of fiction, Daughter of Fortune, shares some characteristics with her earlier works: the canvas is wide, the characters
are multi-generational and multi-ethnic, and the protagonist is an unconventional woman who overcomes enormous obstacles to
make her way in the world. Yet one cannot accuse Allende of telling the same story twice; set in the mid-1800s, this novel
follows the fortunes of Eliza Sommers, Chilean by birth but adopted by a British spinster, Rose Sommers, and her bachelor
brother, Jeremy, after she is abandoned on their doorstep.
"You have English blood, like us," Miss Rose assured Eliza when she was old enough to understand. "Only someone from the
British colony would have thought to leave you in a basket on the doorstep of the British Import and Export Company, Limited.
I am sure they knew how good-hearted my brother Jeremy is, and felt sure he would take you in. In those days I was longing to
have a child, and you fell into my arms, sent by God to be brought up in the solid principles of the Protestant faith and the
English language."
The family servant, Mama Fresia, has a different point of view, however: "You, English? Don't get any ideas, child. You have
Indian hair, like mine." And certainly Eliza's almost mystical ability to recall all the events of her life would seem to stem
more from the Indian than the Protestant side.
As Eliza grows up, she becomes less tractable, and when she falls in love with Joachin Andieta, a clerk in Jeremy's firm, her
adoptive family is horrified. They are even more so when a now-pregnant Eliza follows her lover to California where he has gone
to make his fortune in the 1849 gold rush. Along the way Eliza meets Tao Chi'en, a Chinese doctor who saves her life and becomes
her closest friend. What starts out as a search for a lost love becomes, over time, the discovery of self; and by the time Eliza
finally catches up with the elusive Joachin, she is no longer sure she still wants what she once wished for. Allende peoples her
novel with a host of colorful secondary characters. She even takes the narrative as far afield as China, providing an intimate
portrait of Tao Chi'en's past before returning to 19th-century San Francisco, where he and Eliza eventually fetch up. Readers
with a taste for the epic, the picaresque, and romance that is satisfyingly complex will find them all in Daughter of Fortune.
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